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Showing posts with label Oregon. Show all posts
Showing posts with label Oregon. Show all posts

Thursday, August 14, 2014

Into the Night with Ben Coffman

"Dust Lanes" - taken in the Alvord Desert of Oregon ~ © Ben Coffman
Ben Coffman moved to Portland, Oregon with his family about four years ago. Even though he bought his first DSLR in 2003, it wasn't until he relocated to Oregon that he "quit goofing around", got serious about his digital photography, and started shooting the night sky.

"Phone Booth Selfie" - The
pay phone booth is the last
of a dying breed. When cell
phones don't have service,
the booth is there to lend a
helping hand, no matter
the hour — "as long as I
had correct change, that is.
...Farewell old friend!"
Ben's biggest challenge in photographing Dust Lanes was the pure remoteness of the Oregon "outback" location, which is of particular concern when one is bringing his entire family, including young children, on a road trip with him. "New tires on the car, a filled 5-gallon jug of water, and plenty of gasoline helped to reassure me that I wasn't endangering us all," says Ben.

"I was also a little nervous about camping in the middle of the desert. The weather forecast suggested a chance of rain, and I've heard horror stories about campers getting stuck out in the middle of the playa when the hard-packed dirt turns to sticky mud."

On this particular night, the skies clouded over during the blue hour, so Ben put away his camera and set his alarm for 2:00 AM, just so he could wake up and check to see if the skies had cleared. At the planned hour, he was thrilled to see a fairly clear sky. The playa, which is mostly white, glowed in the starlight. "What I couldn't see with my naked eye was a thin layer of atmospheric moisture that produced a gauzy, dreamy look to the stars.  ...Rather than fighting it in post-processing, ... I thought the softness fit well with the surreal feel of the landscape," says Coffman.

This photo is two exposures: One for the sky and one for the ground. RAW processing for both exposures took place in Lightroom 5, with blending and other adjustments (local contrast, saturation, sharpening) occurring in Photoshop CS6.

Getting it Right: When I asked Ben about the satisfaction he finds in completing a shot like Dust Lanes, he whipped, "Any satisfaction I would have gained from completing this photo was overshadowed by the amount of frustration involved in finally getting it right! This was actually my fourth full attempt at post-processing it — I have three other "finished" versions of this photo that will never see the light of day because I wasn't quite happy with the final result."

Dust Lanes is part of a larger series Coffman is working on this year, in which he is trying to capture more detailed versions of the night sky than what he had previously captured in his landscape astrophotography. He is trying to illustrate via his techniques that there's more beauty to the night sky than meets the naked eye. He is also trying to raise awareness for the conservation of our night skies (e.g., reducing light pollution via responsible lighting methods).

Ben Coffman shoots with a Canon camera and an assortment of manual lenses. When he is not shooting or "looking at the photos of one of the many, many talented photographers that live in this area", he enjoys coffee, training Brazilian jiu-jitsu, and hanging out with his family, but not necessarily in that order. More of Ben's photography can be found at his website.

Saturday, February 15, 2014

'Through the Mist' by Chris Williams

"Through the Mist" - Haceta Head Lighthouse Beach, Oregon Coast, USA ~ © Chris Williams
Chris Williams took our Photo of the Day at the Haceta Head Lighthouse Beach on the Oregon Coast. This rugged beach has a number of tide pools and amazing rock formations that can be accessed at low tide. The image is comprised of two exposures taken some hours apart. The landscape portion of the image was shot utilizing a 10-stop cold ND filter and was shot in the early evening while stubborn fog prevailed along the coast.  The stars were captured several hours later when the weather finally broke a bit along the coast.

Landscape Portion EXIF data: Canon EOS 5D Mark II • Tokina 16-28mm f/2.8 lens @ 16mm • 8 secs • f/16 • ISO 100 • using a FotodioX Wonderpana 10 stop cold ND filter over the lens.
Star Portion EXIF data: Canon EOS 5D Mark II • Tokina 16-28mm f/2.8 lens @ 16mm • 30 secs • f/2.8 • ISO 3200

Chris hand blended the two RAW exposures in Photoshop CS6, with final touches added in Lightroom 4.  The blue hues that are present are mostly due to the "cold" nature of the ND filter that he utilized for the landscape exposure.  "I decided to work with this as opposed to going against it in post processing."

Challenges: Shooting on the coast can be extremely problematic due to the fickle nature of the weather. This often leads to more hours of frustration and waiting than actual shooting time.  Chris has fond memories of this rocky coastline and the surrounding tide pools as a child. "It’s funny how that whole concept changes when you’re carrying all of that expensive camera gear around. Those rocks were slick! The tide was also on its way back in so I also got to play dodge the waves," says Chris!

Satisfaction: "This entire area really holds a special place in my heart as I’ve been coming here since I was a little boy.  Being able to come back here as a photographer for the first time was very inspiring, and I’m looking forward to returning in the coming years," says Chris.

Chris Williams is a 27 year-old biologist and Seattle, WA area based landscape photographer with a serious passion for the outdoors. Whether it’s climbing, hiking or snowboarding, one can always find him in the mountains or on the water. He always loves to share his experiences and stories with others, but sometimes words fail to describe some of the breathtaking scenery he's had the privilege to see here in Washington and abroad. That’s where the photographs come in. "Landscape photography has allowed me to share some amazing experiences and stunning landscapes with others and gives me a sort of satisfaction that is second to none," says Chris.

You can see more of Chris' images on his Facebook page, and his Exploration Photography website.

Royce's 2014 Workshop, Lecture & Video Conference Schedule: NightScapeEvents.com
   -  25% OFF savings on select "IMAGE10" workshops booked before April 1, 2014  -

Monday, August 26, 2013

Path to the Milky Way by Brian Adelberg

"Path to the Milky Way" ~ © Brian Adelberg
Brian Adelberg move recently to the Pacific Northwest (Oregon) and has been exploring and photographing the western regions of Oregon and Washington.

Photo of the Week: Brian had this to say about the above photo he modeled in: "So when you spend 4 days sleeping [alone] in a car ...you find ways to entertain yourself. This was taken around 2 in the morning on the way back from shooting some star shots last week. This would have been a lot easier if I wasn't by myself. Its amazing how creative you can get when your all alone. I had such a good time trying to make this shot. Timer on. Run as fast as you can. Stop! Stand still for 30 seconds, then try again and again and again. If someone were watching me do this they probably think I was insane."

I couldn't resist adding another one of Brian's photos with today's post. In this photo, the composition and exposure control are simply elegant:

"Moonlit River" (White River) ~ © Brian Adelberg
More of Brian Adelberg's photos can be seen at his 500px page.