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Showing posts with label Utah. Show all posts
Showing posts with label Utah. Show all posts

Saturday, August 17, 2019

Speakers for the 2021 NightScaper Conference



Speakers for the 2021 NightScaper Conference, May 10-12, in Kanab, Utah. The largest and most comprehensive "Astro-Landscape Photography" conference ever assembled—40 speaker experts and 'legends' from 9 countries! Twelve returning speakers from our 2019 conference (with all new programs), and 28 new speakers.

A complete program schedule is now availableMake your conference reservations now!

DISCOUNTS: Many of these speakers are offering discount coupon codes of up to $200 off. Check their websites and social media postings.

SPEAKERS ~ PROGRAM TITLES and DESCRIPTIONS:

Alan Dyer - Co-author of the popular guidebook, The Backyard Astronomer’s Guide, and author of the ebook, How to Photograph and Process Nightscapes and Time-Lapses. Alan will present two programs: "Chasing the Northern Lights" and "Diving into Deep-Sky Photography."

Brad Goldpaint - 2018 winner of the Astronomy Photographer of the Year and producer of the upcoming time-lapse film, “Illusion of Light." Brad’s program, “Photographing the Milky Way with Moonlight,” might sound counter-intuitive, but the results may surprise you. One of the most challenging aspects of night photography is capturing the dark, ambiguous landscape beneath a starry night.  Artificial lights and longer exposures can be used to help avoid this problem, but what if there was a natural way to bring life to your images?

Ben Canales - Ben is one of the earliest nightscape innovators. In 2011, he received international attention as National Geographic's Travel Photo of the Year. Ben's program, "Humans in Night Photos–Yourself or Others," will talk about the power of adding the human figure into a night shot, and how that can be just you or friend/model you bring along.

Yuri Beletsky - Yuri is an international astro-landscape photographer and a professional astronomer from Chile. "Living in Chile, the country famous by its dark clear skies, gives me a unique opportunity to reveal the majesty of our cosmos and to share my passion with people around the world." Yuri will do two programs: "Natural color of the night sky," and "Mastering panoramic images of the Milky Way."

Jack Fusco -  Jack was a recent TEDx speaker about nightscape photography. His upcoming conference program, "The Art of Chasing the Shot," embraces the journey of both failure and success to elevate your images and storytelling. In Part II, Jack covers "Capturing vs. Creating" – finding where your personal line gets drawn.

2nd Row:
Ron Risman - Producer and director of dozens of timelapse videos that have received national attention in advertising and documentaries, Ron's program, "9 Ways to Improve Your Astro Photography with Timelapse," you'll learn how capturing a time lapse can benefit you when you're in the field. Few night photographers actually stay out long enough to capture time lapse footage. But there are eight reasons why time lapse footage has quickly become the swiss-army knife of astro photography.

Eric Gail - Eric’s program will show you how to “Master the Power of Photoshop.” The owner and founder of the Adventure Photography Network, Eric has been color processing and retouching for Hollywood and the music industry for more than 30 years. His work can be seen on TV, online and in print all over the world. He has logged more than 40K hours in Photoshop and has taught on a corporate level.

Bryony Richards - Bryony's program, "Nightscapes and Science: what stories are your photos hiding?," will focus on some of the scientific elements of nightscape photography including: Airglow versus aurora. Airglow colors and their significance—how can you enhance airglow in your images Telling the difference between planes, satellites, meteors, comets, or iridium flares. Composition of meteors based upon color. Chemistry of nebula and how getting this right can help your color balancing!

Joshua Snow - Josh’s program, “Verge of Reality,” discusses the mindset of conceiving a vision for your imagery, and bringing it to life in post processing through creative choices, staying true to the art and dealing with the mental struggles of being an artist. Josh will help you move away from just "taking photos" to a higher level that transports the viewer into your soul.

Aaron King - Producer of the popular Photog Adventures series of podcasts, video tutorials and workshops, Aaron will do two programs: "Know your Cosmos!" (Key tips and tricks to know when and where your Milky Way Opportunity will be.) "Milky way Panoramas!" (Why something you think is hard is actually the easiest thing ever and you still only need Lightroom to do it!)

3rd Row:
Christine Kenyon - A popular writer on nightscape photography, Christine's program, “Come Along on a Virtual Nightscape Adventure,” will take you on a nightscaper adventure; executing a plan, from concept to completion. Through immersive multimedia you will be transported "virtually" from the conference room to the field.

Wayne Pinkston - Co-founder of the Low Level Lighting method for landscapes, Wayne will present an extensive step-by-step program on how he does his unique artificial landscape lighting, showcased with his amazing nightscape panoramas.

Russell Brown - A live performance of the 'Russell Brown Show' is not to be missed! As Senior Principal Designer at Adobe Systems Inc. and an Emmy Award-winning instructor, his ability to both teach and entertain has endeared him to audiences around the world. His program, "The Wonders of all Things Mobile," pushes the boundaries of mobile phone technology to capture long exposure night photography.

Miles Morgan - A professional airline pilot, based in the Pacific Northwest, Miles' unique style of twilight photography is proof that there is much more to nightscapes than just capturing the Milky Way! You'll discover this in his program, "Finding Variety in Night Sky Photography.”

Bettymaya Foott - Bettymaya is the Director of Engagement for the International Dark-Sky Association (IDA). A fellow nightscaper, her passion for saving our night skies from the encroachment of light pollution is contagious! Her program, “Save the Stars,” will both enlighten your understanding and move you to action.

4th row:
Matt Dieterich has been passionate about astrophotography since 2005. Using telescopes to capture images of the night sky was his entry in astrophotography. In 2015 Matt went to work for Mount Rainier National Park as an Astronomy Ranger. Over the years, his YouTube Channel helped others learn astrophotography. Last year Matt served as Artist in Residence at Craters of the Moon National Monument. Matt's current career focuses on installing telescopes for astronomers and astrophotographers all around the world.

Marc Toso - Marc's website and program, "Ancient Skies," focuses on humanity’s relationship with the night sky. Marc will discuss archeoastronomy, how night photography intersects science, culture and religion and how learning about and appreciating the night sky can ultimately teach us about ourselves, our origins and humanity’s place in the universe.

Roger Clark - A planetary and NASA scientist, with over 300 scientific papers to his credit, Dr. Clark's programs will cover "Natural colors in the night sky," and "Post processing to preserve star and nebula colors."

5th row:
Gavin Hardcastle (aka Fototripper) is a British landscape photographer that moved to British Columbia and has become popular through his Fototripper YouTube Channel. Because of Canadian quarantine restrictions, Gavin's program will only be presented virtually (currently, about 75% of our speakers are planning to present their program in person at the conference).

Mike Shaw - Author of two books on astro-landscape photography. Mike’s program, “Astronomy 101 for Nightscapers,” will give you a crash course with fun facts about the Earth’s place in the Solar System, Milky Way and Universe, and how the Earth’s daily and annual movements give you ever-changing views of the cosmos. You’ll also explore the lesser photographed features of the Earth’s night atmosphere.

Eric Benedetti - Eric's program, "Tracking Mounts: Increasing Accessibility to Astrophotography and Nightscapes," will help dispel the myth that people need to spend thousands of dollars on things like Full Frame cameras, highly expensive and specific lenses, and other equipment that the photography community considers the norm!

Wenjie Qiao - Sony World Photography National Awards Winner and author of Planit Pro, an app utilized virtual viewfinder to plan landscape photos precisely. Wenjie’s program is about “Planning Night Photography in an Easy Way”. It will not only cover the Milky Way, but also every aspect that you can possibly plan in the starry night. You will find out how his creative planning ideas can also be part of your night photography workflow.

Ryan Smith - Ryan will help your define your vision as a photographer and as a businessperson. He will do three programs: "Photography, the perfect Side Hustle" - Tips for making your passion pay it’s own way. "Photographer or Artist" - Defining your own personal vision that’s best for you. "Photography Life is a journey, not a competition" - Enjoying the craft without “playing the game.”

6th row:
David Swindler - Creating high-quality panoramic images at night is much more difficult than during the day. David's program, “Creating Extraordinary Night Panoramics” will discuss his best tips and tricks to putting together the perfect night panoramic image from shooting to post-processing.

Mike Taylor - Mike and Sonia Taylor operate the freelance imaging studio out of a 19th century farmhouse in central Maine. Mike’s program, “New England Night Photography,” discusses how Maine is one of the last bastions that offers dark skies on the east coast. Behind the Scenes graphics and RAW files show how he blends long foreground exposures with the night sky.

Derek Sturman - Derek's program, "Perceiving and Portraying Reality," will present the methods by which photographers attempt to replicate an entire experience within the confined dimensions of an image. Using Photoshop, you will be able to express more of the emotion or experience from that moment than the camera is able to capture. Derek will focus on composites as well and blended images and the method of creating art that replicates an experience rather than just an exact mechanical replication of a moment.

Ross Schram von Haupt - Although camera technology has come a long way, night photography still faces a lot of complications, including noise, coma and astigmatism. Ross' program, "Techniques for Clean Night Shots," will cover several in field and post processing techniques to overcome these limitations.

Royce Bair - Founder of the NightScaper Conference, author of the eBook, Milky Way NightScapes, and co-founder of the Low Level Lighting method for astro-landscapes; Royce will present two programs: "Nightscape Ethics," and "Advanced Techniques for Low Level Lighting."


Nine more international speakers have recently agreed to present virtually at the conference:

Stefan Liebermann - Germany - Program title and description to be announced

Alyn Wallace - UK - "More than the Milky Way." Whilst the first bucket list tick for beginners is a shot of the glorious Milky Way core, there is so much more in the night sky that can be captured with a wide-angle lens. Conjunctions of planets, fireball meteors blazing across the sky, mesmerizing aurora dancing in the sky, the list goes on... Alyn will give a second program on "The Importance and Joy of Planning." The night sky behaves like clockwork, allowing you to predict the future and pre-visualise your shots. 'You don't take a photograph, you make it.'

Paul Wilson - New Zealand - Paul is well known for his amazing Milky Way panoramas. Program title and description to be announced

Michael Zayne ~ aka "blntpencil" - Australia - Michael's program will demonstrate Milky Way orientation throughout Australia's seasons.

Manish Mamtani - Boston / India - Program title and description to be announced

Amir Shahcheraghian - Iran - Program title and description to be announced

These 3 photographers will do a joint program on "deepscape" photography (deep sky objects with an earthly foreground feature—taken from the same tripod position):

Five more speakers have recently agreed to present in-person at the conference:

Joyce Harman - Joyce's "Saving Dark Skies Locally," will teach you how to use your images for a good cause. Joyce embarked on a personal project to document the night sky that was still present within 60 miles of Washington DC, and educate landowners to help preserve it. Using her own images as inspiration, residents have replaced lights, she has sold many images, and has created a traveling exhibit. She will explain how you can do something similar in your own area.

Shreenivasan Manievannan - Shreeni will present two programs, "Maximizing & pushing the limits with GoPro cameras," and "Capturing Starscapes on a Budget." The first is highly recommended those wishing to see what a budget “sports” camera is capable of doing with astro-landscapes, when applying the best techniques, and the second will allow you to see what a budget camera is capable of doing with astro-landscapes, when applying the best techniques.

Jess Santos - Jess' program, "Telling Stories Using Composition," will take a look at the traditional compositions and discuss how to turn these into more unique story telling opportunities. Learn how lens choice, focal length and other compositional tools can be used to better tell a story through your night sky images.

Ken Childress - "Introduction to Making Milky Way Portraits." Ken demonstrates how to add the human element with multiple methods and simple setups for creating unique portraits under the Milky Way.

David Soldano - "Low Level Lighting Nightscapes." David will discuss his favorite tools, techniques and tips for using low level lighting to add depth and drama to nightscape images. White Balance and the different colors of various lights will also be covered. You’ll learn to determine which lights work best on trees, red rocks & people. Three excellent examples of low level lighting will be deconstructed, and David will reveal how the photographers lit the images and discuss their creative process.



A complete program schedule is now available.







Friday, October 26, 2018

NightScaper Conference scheduled for May 1-3, 2019 in Moab, Utah




A Love Letter to the Night Sky from Ron Risman.
Many of these scenes were shot near Moab, Utah.



The first annual NightScaper Conference has been scheduled for May 1-3, 2019 in Moab, Utah - gateway to Arches and Canyonlands.

Network and socialize with
150 NightScape photographers
3 days of seminars
3 nights of shooting
$399.00
Optional field trips each night
Plus, optional workshops
before and after the conference

More information and online registration at our official


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Thursday, October 25, 2018

NightScaper Conference Schedule

Day and Night activities scheduled each day.

Conference Schedule:

Tuesday, April 30, 2019 - check into any Moab hotel, or stay at the Marriott Springhill Suites and Fairfield Inn Suites (right next to each other). These are our conference hotels and they are also closest hotels to Arches and Canyonlands National Parks. We've reserved a block of rooms for our conference guests at a special discounted rate. Book your room now, as these rooms will go fast (you have until March 15, 2019 to cancel, should your plans change). The average rate for national brand hotel rooms in Moab is about $249/night. Your special rate for these beautiful Marriott rooms are $199 and $189 per night, respectively (normal rates in May are $293 and $273 per night)!

Wednesday, May 1, 2019

  • 8:00 AM - Conference Room Opens - Receive Registration lanyard
  • 8:00 AM - Vendor tables/booths open
  • 9:30 AM - Christine Kenyon ~ Answers to Common Nightscape Questions
  • 10:30 AM - Clarence Spencer ~ Astro-Modified Cameras
  • 11:30 PM - Break for lunch
  • 12:00 PM - Free Luncheon ~ Sponsored by Pictureline
  • 1:30 PM - Conference Room Opens ~ Bring your Lanyard
  • 2:00 PM - Wayne Pinkston ~ Putting the Landscape Back in Landscape Astrophotography
  • 3:00 PM - Wayne Pinkston ~ Putting the Landscape Back in Landscape Astrophotography - Part II
  • 4:00 PM - Mike Shaw ~ Nightscape Composites and Blends – A How-To Guide
  • 5:00 PM - Photog Adventures - Brendon Porter & Aaron King ~ How to plan your next Milky Way adventure with PhotoPills
  • 6:00 PM - Break for dinner
  • 6:30 PM - Vendor Tables/Booths close
  • 7:00 PM - Eric Gail ~ Maximizing Your Return Using GaiaGPS and Global Positioning
  • 8:00 PM - Personal shooting on your own or optional Paid Field Trips


Thursday, May 2, 2019

  • Midnight - Personal shooting on your own or optional Paid Field Trips
  • 5:00 AM - Return to hotel for rest and personal time (breakfast & lunch on your own)*
  • 11:45 AM - Conference Room Opens ~ Bring your Lanyard
  • 12:00 PM - Vendor tables/booths open
  • 12:00 PM - Vince Warner ~ The Right Tripod for NightScape Photography
  • 1:00 PM - Eric Gail ~ Pre scouting any location “Day or Night” using Google Earth
  • 2:00 PM - Royce Bair ~ Six ways to improve the quality of your NightScapes images
  • 3:00 PM - Mike Berenson ~ Stacking, Tracking and Blending, Oh My!
  • 4:00 PM - Ron Risman ~ Tracking the Night Sky with Motion Control Gear for Timelapse
  • 5:00 PM - Photog Adventures - Brendon Porter & Aaron King ~ Five features in PhotoPills you are using wrong
  • 6:00 PM - Break for dinner
  • 6:30 PM - Vendor Tables/Booths close
  • 7:00 PM - Joyce HarmanSaving Dark Skies Locally
  • 8:00 PM - Personal shooting on your own or optional Paid Field Trips


Friday, May 3, 2019

  • Midnight - Personal shooting on your own or optional Paid Field Trips
  • 5:00 AM - Return to hotel for rest and personal time (breakfast & lunch on your own)*
  • 12:30 PM - Vendor tables/booths open
  • 12:30 PM - Conference Room Opens ~ Bring your Lanyard
  • 1:00 PM - Shreenivasan Manievannan ~ Into the Night with GoPro
  • 2:00 PM - Bettymaya Foott ~ Guest speaker from the International Dark-Sky Association
  • 3:00 PM - Eric Benedetti ~ Tracking Mount Based Nightscape Photography
  • 4:00 PM - David Swindler ~ Post-Processing Methods to Achieve the Highest Quality Night Photos
  • 5:00 PM - Ryan Smith ~ A picture is worth a thousand ……$$$ DOLLARS $$$
  • 6:00 PM - Break for dinner
  • 6:30 PM - Vendor Tables/Booths close
  • 8:00 PM - Personal shooting on your own or optional Paid Field Trips


Saturday, May 4, 2019

  • Midnight - Personal shooting on your own or optional Paid Field Trips
  • 5:00 AM - Return to hotel for rest and personal time - Conference ends*
  • 11:00 AM - Hotel checkout time, unless you wish to extend for private workshops


*The Milk Way core first appears each night at about 1:10 AM and remains visible until about 4:35 AM.

Learn more about the speakers and their programs

More information and online registration at our official


Poster design by Phill Monson / Entrada Outdoor Company.

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Monday, April 25, 2016

Protecting Our Dark Skies


“Are we doing enough to protect our dark skies?”  That’s the audio lead-in used for this mini-documentary on KSL-TV. John Hollenhorst (KSL's Science & Nature Specialist) and videographer, Ken Fall followed us (Charli, Teresa, Joe, Michael and I) around this past March in Bryce Canyon National Park at 3:00 AM. It was about 20ยบF, and we’re all bundled up, so don't expect a fashion show! But you will see some beautiful Milky Way skies, with stunning western foregrounds; and you'll learn how the park service and some cities like Flagstaff, AZ are working to protect our dark skies from light pollution.

Finding Darkness is a quest I am on to help find and protect our dark skies. These are places where we can still clearly see the night stars. My goal is not to be an alarmist about light pollution, but to promote the use and benefits of dark sky areas as sanctuaries for creativity and solace —areas where we can remove the noise from our busy lives, to think, dream and be inspired.

A Santa Fe astronomer has said, "...as light pollution spreads, we are slowly losing one of the oldest and most universal links to all of human history." As late as 1889, Van Gogh was able to experience and paint his famous “Starry Night”. If he were alive today, there would be nothing in the night skies over Saint Rรฉmy, France to inspire him, as the Milky Way can no longer be seen from there.

Click images to enlarge

Starry Night Quotes is a 2018 wall calendar I am publishing to beautify your home or office and help people become more aware of the importance of preserving our dark sky areas. You can learn more about dark sky sanctuaries by watching or reading the KSL documentary and by visiting the International Dark-Sky Association (IDA) website. $5.00 from every calendar sale on my Etsy website will be donated to IDA.

"Starry Night Quotes" is a 2018 wall calendar with emphasis on preserving our dark sky sanctuaries.

A vertical Milky Way and strong airglow. Photographed at Jackson Lake, with the Teton Range in Grand Teton National Park. One of my images featured in the KSL mini-documentary about preserving our dark skies.


Watch it here: Here's the complete transcript and the 5-minute video of the program that aired on April 25th: Dark Skies: 'Half the park is after dark'.




Thursday, November 12, 2015

Utah West Desert Photo Walk

Part of last night's group "riding" our abandon, graffiti-painted school bus (Robin, Sandy, Audie, Brannon, Heike, Paul and Brian) ~ © Royce Bair
Free NightScape Photo Event: Last night was another one of the free NightScape Photowalk events that I'm trying to do across the country. Although last night's event was limited to just 10 people, other NightScapeWalks venues have had room for up to 100 participants.

Location: This old, abandon bus is located about 50 miles west of Salt Lake City, just off exit 70 of I-80, near the ghost town of Delle, Utah. In this map, you'll see the bus located about 900 feet southeast of the gas station.

Sunset shots: We arrived about an hour before sunset, in order to get our bearings, and took several daytime photos...


Blue Hour: Our main purpose was to do night photography. To maximize our time, we did "Blue Hour" photography during the end of the Civil Twilight period. In order to extend this narrow, 20-minute window (it's really not an "hour"), into 30 minutes of shooting time, we first shot from the west side of the bus, looking east; and, then switched to the east side of the bus, looking west. Lights inside and outside the bus had to be adjusted in their intensity as the twilight dimmed.


Milky Way: By 6:45 PM the Astronomical Dusk had arrived, and the stars were really starting to pop. Although the brightest portion of the Milky Way, the central bulge, has rotated below the horizon at this season of the year, there is still a lot of Milky Way to see, especially the Great Rift or the Dark River, as the ancients used to call it. Once again, the inside lights had to be dimmed even further, to match the intensity of the starlight. We did not use any outside lighting, as we already had plenty of light pollution coming from the gas station, about 900 feet (274 m.).

"Photo Walkers" choose their angle for aligning the old bus with the Milky Way. The lights in the bus have been dimmed to match the starlight, and the colorful gels have been removed. The only outside light is coming from two sodium vapor street lamps, located about 900 feet to the right, at the Delle gas station (which is also giving the orange-red glow in the right side of the sky) ~ © Royce Bair
Post processing contrast added to the sky, and a darker exposure of the bus was blended (via a Photoshop layer) into the image. This photo was actually taken a week earlier during a scouting trip ~ © Royce Bair
You can see more photos from the participants of this photo walk by going to this Meetup page.

An invitation: I invite photographers everywhere to suggest future photo walk venues (these are free events) by tagging your favorite astro-landscapes with the hashtag: #NightScapeWalk — on InstagramFacebook or Google+. Please include the location of your NightScape and any other interesting background information in your photo description. To qualify, locations should be within 50 miles (80 km) or 90 minutes drive time (which ever is less) from a major city or metropolitan area (over 100,000 population). You can also suggest a location on my NightScape Meetup page.

Future NightScapeWalk venues I'm considering for January and February 2016 are some unique desert locations near Tucson, AZ and San Diego, CA. I welcome your suggestions for March. By April, my private workshop season begins, and I'll have less time for these free events.





Saturday, March 22, 2014

Fire Tree by Prajit Ravindran

"Fire Tree" - Star Trails around North Star, and a tree lighted by a campfire ~ © Prajit Ravindran
Prajit Ravindran shot our Photo of the Day in the Little Sahara Recreation Area, Juab County, Utah. Prajit used something we don't often see here at this blog: film. He used an old Mamiya RB67 Film camera, with a Mamiya Sekor 37mm fisheye lens, and exposed onto an ISO 100 film, using an exposure of f/8 for 35 minutes. The Star Walker iPhone app was used to figure out the location of the North Star.

Prefers film and mechanical cameras for star trails: Prajit prefer his Mamiya film camera over digital for shots of star trails for a couple of reasons. First, there is very little noise when using film vs. digital. Secondly, he doesn't have to worry about running out of battery power since the Mamiya RB67 is completely mechanical. In fact, Prajit purchased his used Mamiya mainly to take multi-hour shots of star trails, even though this photographed was exposed for less than an hour.

Prajit's biggest concern was that the details in the tree would be blown out due to excess light from his nearby campfire. He ended up taking a 35 minute exposure rather than the 1-hour exposure he would have preferred, to prevent over exposure of the tree.

Prajit Ravindran is a software engineer, who lives in Salt Lake City, Utah. Photography is his passion, with emphasis on landscapes, urban and long exposure photography. He loves the diverse landscapes of Utah. Prajit recently traveled around the state, logging 8300 miles in 8 months. He shoots mainly with a Nikon D7000. In addition to his recent purchase of the Mamiya RB-67 film camera, he has also converted his old Nikon D80 into an IR camera. More of Prajit's work can be seen at his website, and at his 500px page.

Tuesday, November 12, 2013

Blue Hour Light Painting in Grafton, Utah

Grafton Schoolhouse in Grafton, Utah ~ © Royce Bair (click to enlarge)
Canon 5D MkIII • EF24-70mm f/2.8 lens @ 34mm • f/5.6, 25 sec, ISO 200 • 5 lights
Last week, Phill Monson assisted me in a "NightScape" workshop in Zion National Park. The weather for the third night was overcast, so we scheduled a "blue hour" light painting session in the ghost town of Grafton, Utah.

Location and History: Grafton began as a pioneer farming community that was first settled in 1859. Continued flooding of the nearby Virgin River caused most of the families to resettle in locations on the other side of the river, and by 1944 Grafton became a ghost town. The nearest inhabited town is Rockville, and Zion National Park is only about eight miles to the northeast. The adobe schoolhouse, in the above photo, was built in 1886. It was also used as a church and a public meeting place.

Light Painting: I set up a main light about 100 feet to the right. This was an 85-watt Westcott circular fluorescent bulb (5500ยบ K, producing an equivalent of 300 watts). It was placed in an old, 18" Smith-Victor reflector (that had been spray painted with metallic gold paint to warm the color balance), and powered by a Vagabond Mini Lithium power source. The fill lights, on the left side, were a Calumet LED Light Panel (with a warming filter) and a Coleman-style LED lantern (the GE Chromalit 3D). All of these lights were stationary, and placed on light stands, except the lantern, which was on the ground next to the light panel. Phill provided the handheld backlight to the bell tower with a Black and Decker lithium halogen spotlight. I lighted the inside of the school through a back window, by painting the ceiling with a handheld Brinkmann Max Million III Rechargeable Spotlight (Q-Beam). Both of us were standing behind the schoolhouse. The stationary lights remained on for the full 25-seconds camera exposure, but the handheld lights were on for only eight seconds.

Faux HDR: Almost everyone knows that a high dynamic range (HDR) image can be created by blending three or more exposure value (EV) images within Photoshop or software, i.e. Photomatix Pro. This is difficult to do when you are shooting a light-painted scene. An alternative to three or more different camera exposures is to produce those from the camera's RAW file, in post production. Some call this "faux-HDR". Others may call it "false" or "fake" HDR, but the results are very close to regular HDR imaging.

To produce the above image, I made three different exposure value images from the camera raw image: the unadjusted image (0 EV), another that one-stop underexposed (-1 EV), and the third one-stop overexposed (+1 EV). I could have gone 2-stops either way, but one stop was sufficient for this image.

Three exposure values from the same camera raw image (cropped for this demo).
Additional Blending: The three exposures were then combined in Photomatix Pro to produce a natural HDR image ("Natural Fusion"). As you can see (below), this greatly increase the shadow detail without blowing out the highlights. Wanting to show more of the texture and warmth of the adobe brick, and increase the separation between the roof and the dark blue sky, I choose to produce the more garish, tone-mapped "Painterly 5" version as well. By layering (blending at 50% opacity) the "Painterly 5" version over top of the "Natural Fusion" version, I was able to produce an image that combines the best of both versions, and still retain a more natural look. The building perspective of the final, blended image was then corrected in Photoshop using Edit > Transform > Distort.

The Natural HDR has much more shadow detail than the original exposure.
The tone-mapped HDR ("Painterly 5") has great texture and warmth, but is too garish.
Blending these two HDR versions in Photoshop combines the best of both, and the final result is the top image.

Royce's 2014 Workshop, Lecture & Video Conference Schedule: NightScapeEvents.com
Featured Post: Shooting Stars eBook Review — How to Photograph the Stars and the Moon